===============================================================================
    COOLGS.TXT Ver3.0 for MML2MID + SC-88   by ӣΣ¡ԣ
===============================================================================
ʤΥե뤫ɬפʥޥɤ򥫥åȡڡȤƻȤäƤ

 ǥåȷNRPN

N1,8,64 N1,9,72 N1,10,68	; ӥ֥顼(rate depth delay)
N1,x63,54 N1,x64,94 N1,x66,58	; ٥(attak decay release)
N1,x20,n			; åȥռȿ(=TCn)
N1,x21,n			; 쥾ʥ(=TRn)


 ɥ२ǥåȷNRPN

Nx18,note,n	; ɥԥå(0-64-127)
Nx1A,note,n	; ɥ٥(0-64-127)
Nx1C,note,n	; ɥѥ(0-64-127)
Nx1D,note,n	; ɥС(0-64-127)
Nx1E,note,n	; ɥॳ饹(0-64-127)


 ʥɥޥ

$k k100 J36	; kick
$s k100 J38	; snare 1
$n k100 J40	; snare 2
$i k070 J44	; pedal hihat
$h k070 J42	; closed hihat
$o k070 J46	; open hihat
$r k090 J49	; cymbal 1 (right)
$l k095 J57	; cymbal 2 (left)
$a k100 J48	; tom-H
$b k100 J45	; tom-M
$c k100 J41	; tom-L


 ץȥ

y64,n	 ; ۡɤ̤
y67,n	 ; եȲ̤
y91,n    ; С֤̤
y93,n    ; 饹̤
y94,n    ; ǥ쥤̤(SC-88)


 ץ롼


EX x7e,x7f,x09,x01,xf7                      ; GM SYSTEM ON
EX x41,x10,x42,x12,{x40,x00,x7f,x00},xf7    ; GS RESET
EX x41,x10,x42,x12,{x00,x00,x7f,x00},xf7    ; SC-88 Single Module Mode

С
EX x41,x10,x42,x12,{x40,x01,x30,n},xf7      ; REVERB MACRO [*]
EX x41,x10,x42,x12,{x40,x01,x31,n},xf7      ; REVERB CHARACTER
EX x41,x10,x42,x12,{x40,x01,x32,n},xf7      ; REVERB PRE-LPF
EX x41,x10,x42,x12,{x40,x01,x33,n},xf7      ; REVERB LEVEL
EX x41,x10,x42,x12,{x40,x01,x34,n},xf7      ; REVERB TIME
EX x41,x10,x42,x12,{x40,x01,x35,n},xf7      ; REVERB DELAY FEEDBACK

饹
EX x41,x10,x42,x12,{x40,x01,x38,n},xf7      ; CHORUS MACRO [*]
EX x41,x10,x42,x12,{x40,x01,x39,n},xf7      ; CHORUS PRE-LPF
EX x41,x10,x42,x12,{x40,x01,x3a,n},xf7      ; CHORUS LEVEL
EX x41,x10,x42,x12,{x40,x01,x3b,n},xf7      ; CHORUS FEEDBACK
EX x41,x10,x42,x12,{x40,x01,x3c,n},xf7      ; CHORUS DELAY
EX x41,x10,x42,x12,{x40,x01,x3d,n},xf7      ; CHORUS RATE
EX x41,x10,x42,x12,{x40,x01,x3e,n},xf7      ; CHORUS DEPTH
EX x41,x10,x42,x12,{x40,x01,x3f,n},xf7      ; CHORUS SEND LEVEL TO REVERB

ǥ쥤(SC-88)
EX x41,x10,x42,x12,{x40,x01,x50,n},xf7      ; DELAY MACRO [*]
EX x41,x10,x42,x12,{x40,x01,x51,n},xf7      ; DELAY PRE-LPF
EX x41,x10,x42,x12,{x40,x01,x52,n},xf7      ; DELAY TIME CENTER
EX x41,x10,x42,x12,{x40,x01,x53,n},xf7      ; DELAY TIME RATIO LEFT
EX x41,x10,x42,x12,{x40,x01,x54,n},xf7      ; DELAY TIME RATIO RIGHT
EX x41,x10,x42,x12,{x40,x01,x55,n},xf7      ; DELAY LEVEL CENTER
EX x41,x10,x42,x12,{x40,x01,x56,n},xf7      ; DELAY LEVEL LEFT
EX x41,x10,x42,x12,{x40,x01,x57,n},xf7      ; DELAY LEVEL RIGHT
EX x41,x10,x42,x12,{x40,x01,x58,n},xf7      ; DELAY LEVEL
EX x41,x10,x42,x12,{x40,x01,x59,n},xf7      ; DELAY FEEDBACK
EX x41,x10,x42,x12,{x40,x01,x5A,n},xf7      ; DELAY SENDLEVEL TO REVERB

饤(SC-88)
EX x41,x10,x42,x12,{x40,x02,x00,n},xf7      ; EQ Low Freq. (0:400Hz/1:200Hz)
EX x41,x10,x42,x12,{x40,x02,x01,n},xf7      ; EQ Low Gain  (52-64-76)/Def=64
EX x41,x10,x42,x12,{x40,x02,x02,n},xf7      ; EQ High Freq.(0:6kHz/1:3kHz)
EX x41,x10,x42,x12,{x40,x02,x03,n},xf7      ; EQ High Gain (52-64-76)/Def=64

¾
EX x41,x10,x42,x12,{x40,x1a,x15,2},xF7      ; Ch.11 = RHYTHM2 (SC-88)
EX x41,x10,x42,x12,{x40,16+n,x1c,00},xf7    ; Random Pan (n=Ch)
EX x41,x10,x45,x12,{x10,0,0,"Sample"},xf7   ; Display Letter
EX x41,x10,x42,x12,{x40,0,0,0,n1,n2,n3},xf7 ; Master-Tune [*]

EX x41,x10,x42,x12,{x40,x11,x02,x10},xf7    ; GS-Ch.1  off
EX x41,x10,x42,x12,{x40,x12,x02,x10},xf7    ; GS-Ch.2  off
EX x41,x10,x42,x12,{x40,x13,x02,x10},xf7    ; GS-Ch.3  off
EX x41,x10,x42,x12,{x40,x14,x02,x10},xf7    ; GS-Ch.4  off
EX x41,x10,x42,x12,{x40,x15,x02,x10},xf7    ; GS-Ch.5  off
EX x41,x10,x42,x12,{x40,x16,x02,x10},xf7    ; GS-Ch.6  off
EX x41,x10,x42,x12,{x40,x17,x02,x10},xf7    ; GS-Ch.7  off
EX x41,x10,x42,x12,{x40,x18,x02,x10},xf7    ; GS-Ch.8  off
EX x41,x10,x42,x12,{x40,x19,x02,x10},xf7    ; GS-Ch.9  off
EX x41,x10,x42,x12,{x40,x10,x02,x10},xf7    ; GS-Ch.10 off
EX x41,x10,x42,x12,{x40,x1a,x02,x10},xf7    ; GS-Ch.11 off
EX x41,x10,x42,x12,{x40,x1b,x02,x10},xf7    ; GS-Ch.12 off
EX x41,x10,x42,x12,{x40,x1c,x02,x10},xf7    ; GS-Ch.13 off
EX x41,x10,x42,x12,{x40,x1d,x02,x10},xf7    ; GS-Ch.14 off
EX x41,x10,x42,x12,{x40,x1e,x02,x10},xf7    ; GS-Ch.15 off
EX x41,x10,x42,x12,{x40,x1f,x02,x10},xf7    ; GS-Ch.16 off


 եɥʥޥܥ塼ѡ

;ᤫƥեɥ
1A Z{z0=128} [Z{z0=z0-4} EXx41,x10,x42,x12,{x40,x00,x04,z0},xf7 r8]32

;ᤫƥեɥ
1A Z{z0=128} [Z{z0=z0-2} EXx41,x10,x42,x12,{x40,x00,x04,z0},xf7 r8]64


 ¾

IB8,2,32,12,18     ; IBޥɤ
IB20,2,32,24,48    ; IBޥɤζ
FE3,0,8,-50,2.,50  ; FEޥɤ

ݡȻ᥿٥ȡby NT-3

EExff,x21,1,n      ; ǸͤݡֹǤS-MPUʤ0Aݡ,1Bݡȡ
                   ; MPU+RSʤ0MPU1RSǤʥɥ饤Фˤ

A EExff,x21,1,1 C1 ; B-port Ch.1  Τ褦ʻǣϣˤǤ
                   ; SC-88ʤɤ32ѡȥǡȤˤ
                   ; ɬܤˤʤȻפޤ


 ­

С֥ޥΣ
0. Room 1	4. Hall 2
1. Room 2	5. Plate
2. Room 3	6. Delay
3. Hall 1	7. Panning Delay

饹ޥΣ
0. Chorus 1	4. Feedback Chorus
1. Chorus 2	5. Flanger
2. Chorus 3	6. Short Delay
3. Chorus 4	7. Short Delay (FB)

ǥ쥤ޥΣ(SC-88)
0. Delay 1	5. Pan Delay 2
1. Delay 2	6. Pan Delay 3
2. Delay 3	7. Pan Delay 4
3. Delay 4	8. Delay to Reverb
4. Pan Delay 1	9. Pan Repeat

褯Ȥ塼˥
EXx41,x10,x42,x12,{x40,0,0,0,x04,x0c,x04},xf7 ; Master-Tune (+196)
EXx41,x10,x42,x12,{x40,0,0,0,x04,x09,x0d},xf7 ; Master-Tune (+157)
EXx41,x10,x42,x12,{x40,0,0,0,x04,x07,x06},xf7 ; Master-Tune (+118)
EXx41,x10,x42,x12,{x40,0,0,0,x04,x04,x0f},xf7 ; Master-Tune (+79)
EXx41,x10,x42,x12,{x40,0,0,0,x04,x02,x07},xf7 ; Master-Tune (+39)
EXx41,x10,x42,x12,{x40,0,0,0,x04,x00,x00},xf7 ; Master-Tune (+00)
EXx41,x10,x42,x12,{x40,0,0,0,x03,x0d,x09},xf7 ; Master-Tune (-39)
EXx41,x10,x42,x12,{x40,0,0,0,x03,x0b,x01},xf7 ; Master-Tune (-79)

